At my new site:
From a year-and-a-half back, Mark Medley on Marc Côté's move from Cormorant to Thomas Allen. That
is a long time in a cultural industry (even publishing), and there have
been changes since then; a recent visit to Thomas Allen's website
describes the company as now being a distributor, not publisher, and its
fiction selection is thin. More alarmingly on a general level is the
sense of pessimism is gripping the industry, as well as the idea that
these days "only a prize" is sufficient to win a novel -- especially one
by a new writer -- the sort of audience it needs in order to succeed
commercially. In Quebec, where the literary culture has evolved
differently than in anglophone Canada and there is less of a blockbuster
mentality, authors also feel under siege but more in terms of their
royalties: they are fighting to standardize book prices.
cont'd
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