Tuesday, May 08, 2012
Peter Darbyshire
An excerpt from a long interview I did with Peter Darbyshire is now up at my new site.
Saturday, April 28, 2012
Jason Pettus
My interview with Jason Pettus of CCLaP is now up at my new site.
Sunday, April 15, 2012
Eclectica
The new issue of Eclectica is now online. I have a poem in it, entitled "Baram 1." More on this magazine later.
Saturday, April 14, 2012
Jennifer Barnes - reprise
My updated with Jennifer Barnes is now at my new blog.
Friday, April 13, 2012
Truth Marathon
Another excerpt from my screenplay-novel TRUTH MARATHON is now up at my new site.
Thursday, April 05, 2012
Gavin Grant - reprise
My new interview with Gavin Grant is now up at CBT's new site.
Tuesday, April 03, 2012
Noteworthy
Deanna McFadden on the ongoing profitability of print publishing.
Levi Asher contra egoism.
Steven Beattie on horror as film and horror as act.
My latest excerpt from The Business Army.
Levi Asher contra egoism.
Steven Beattie on horror as film and horror as act.
My latest excerpt from The Business Army.
Sunday, April 01, 2012
Your Internet at Work
From SearchLit.org
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Friday, March 30, 2012
Upcoming - Gavin Grant interview update
One of the interviews at this site that's proved especially popular is the one I did with Gavin Grant of Small Beer Press. Grant recently updated the interview, and I'm going to post it at my new site when I get a few technical glitches worked out. Look forward to it.
Tuesday, March 27, 2012
National Libraries in comparison
Nigel Beale has an interesting ongoing series comparing the national libraries of various countries with the National Library and Archives in Ottawa. He makes a compelling argument that the library in Ottawa could do more to promote books and reading; you can follow the series here.
Sunday, March 25, 2012
Contra Staid de Vivre
I'm re-posting my screenplay fiction, "Baram Writer", at my new blog. This was originally published in the literary magazine Dark Sky, and by the time it had appeared, I'd submitted it to so many journals that I'd lost count. The screenplay form of the piece seemed to be a sticking point; that, and the technical issue of making the photos appear correctly in the piece.
Neither of these were insurmountable obstacles. In fact, they should have been minor ones, since all my material was digital. Nevertheless, the response I usually encountered was a variation on "interesting ... but not for us."
This reaction -- a form of conservatism, really, a set way of doing things -- is at one and the same time common in English Canadian publishing and also something of a stereotype. (Canadians themselves are the ones who tend to beat themselves up on this issue; no one else much cares.) My experience is that conservatism has become pervasive throughout the world of publishing -- even avant gardism has adopted set forms. But the idea in anglo Canadian letters that conservatism is a characteristic that is particularly prevalent in the national culture is one that won't go away. Obviously, I don't quite agree -- or rather, agree with misgivings. Nevertheless, it would do Canadian letters well to have this debate take place a little more energetically than it does at present. And for Americans, too, it seems to me that some more consistency of debate would help bring needed clarity to this matter; after all, the "digital revolution" -- with all its variants of e-ness -- is at best a double-edged sword. Literary people generally need to start thinking of new ways to make narrative fiction work.
Neither of these were insurmountable obstacles. In fact, they should have been minor ones, since all my material was digital. Nevertheless, the response I usually encountered was a variation on "interesting ... but not for us."
This reaction -- a form of conservatism, really, a set way of doing things -- is at one and the same time common in English Canadian publishing and also something of a stereotype. (Canadians themselves are the ones who tend to beat themselves up on this issue; no one else much cares.) My experience is that conservatism has become pervasive throughout the world of publishing -- even avant gardism has adopted set forms. But the idea in anglo Canadian letters that conservatism is a characteristic that is particularly prevalent in the national culture is one that won't go away. Obviously, I don't quite agree -- or rather, agree with misgivings. Nevertheless, it would do Canadian letters well to have this debate take place a little more energetically than it does at present. And for Americans, too, it seems to me that some more consistency of debate would help bring needed clarity to this matter; after all, the "digital revolution" -- with all its variants of e-ness -- is at best a double-edged sword. Literary people generally need to start thinking of new ways to make narrative fiction work.
Sunday, March 18, 2012
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